Category: Short Story

  • Same Costume Part 2 of 4

    Same Costume — Part 2 of 4
    A 4-minute read.

    Two ghosts on a porch on Fenner Street. Same pillowcase, same height. One of them knew Dana’s name. She took the one that wasn’t wearing the bracelet, because a bracelet is a thing anybody can slide off a wrist, and she wanted the kid, not the plastic.

    She got them to the sidewalk without running.

    Running would have made it a thing. Running would have told the street, and the street was full of people she had to see at pickup on Monday. So she walked, fast, one hand around a small wrist, and she did not look back at 27 until they were past the hedge.

    The porch light at 27 went out.

    Not a flicker. Not a bulb. It went out the way a light goes out when someone inside puts their hand on the switch, and the cauldron sat there in the dark with its sign still readable, TAKE 2 PLEASE, and the storm door did not open.

    “Ow,” the ghost said. “You’re squeezing.”

    She loosened her hand. She did not let go.

    “We’re going home.”

    “We’re not done.”

    “We’re done.”

    They went down Fenner with the flashers of a crawling minivan sliding over them. At the corner Sam pulled the pillowcase off the head because the mouth hole had gone crooked, and it was Sam’s face, hair stuck flat with static, mouth open in the specific unhappy way Dana had been looking at since the delivery room.

    She felt her ribs come down.

    “Can we do Barrow Street?”

    “Next year.”

    At home she put the chain on. She had never once put the chain on.

    7:52 by the microwave.

    Sam dumped the bag on the living room rug, which was the whole point of the night, and Dana sat on the arm of the couch and watched candy come out of a pillowcase.

    There was too much of it.

    She had counted. Not on purpose — she’d counted the way you count a kid’s houses, four at Pellerin’s, two at 15, the Reese’s

     always gave the full-size, the Burkharts did pretzels. Eleven houses. Maybe thirty pieces. She’d stood at the mailbox and watched every hand go into every bowl.

    There was easily twice that on the rug.

    Butterfingers. Smarties. A roll of Necco wafers, which she had not seen in a store in a decade. Three of the toothbrushes.

    “Where’d you get all this?”

    Sam was sorting. Chocolate here, fruit here, garbage here.

    “Houses,” Sam said.

    “Which houses?”

    “All of them.”

    Dana picked up a Necco roll. The wrapper was soft, the paper gone furry the way paper gets when it’s been in a drawer.

    She got up and went to the front window to pull the curtain.

    There was a ghost in the yard.

    It stood on the grass between the maple and the walk, in the dead spot the streetlight didn’t reach. Same white. Same two holes. Arms down. It was not doing anything. It was the stillness of a kid who has been told to wait in one place and takes it seriously.

    Dana put her hand flat on the glass and then took it off, because it left a print.

    “Sam. Stay right there.”

    “I am right here.”

    She got her phone off the counter. Her thumb was not steady. She opened the thread with Beth from two doors up, the one that was mostly sign-up sheets and a photo of somebody’s lost cat.

    Dana: Is Ellis out tonight?

    Dana: Weird question. Sorry.

    The three dots came up right away. Beth was always on her phone. That was the one thing Dana had ever felt superior about and she was grateful for it now.

    Beth: We stayed in. He’s got the ear thing again.

    Beth: We didn’t see you. We thought you stayed in.

    Dana read it twice.

    Dana: We were out at 6:40. We did your side.

    Beth: Our light was off, hon. We’ve been on the couch since 5.

    Dana went back to the window.

    The yard was empty.

    Not walking-away empty. Empty like nothing had been standing there, grass flat, the maple shadow doing what maple shadows do. She looked at the dead spot until her eyes made shapes in it, which is what eyes do.

    She pulled the curtain. Then she went around the first floor and pulled all of them, and she checked the back slider and the side door off the laundry, and both were locked, and she checked them again on the way back because checking once is not a thing that stays checked.

    Sam was still on the rug. The sorting had gotten serious. There were four piles now, and one of them was just the Neccos.

    “Mom. Can I have one.”

    “Two.”

    “Three.”

    “Two.”

    Sam took three. Dana let it go.

    She sat down on the floor with her back against the couch so she could see the front door, and she put her phone facedown on her knee, and she breathed.

    The furnace clicked on. The dishwasher, which she’d started before they left, hit the part of its cycle where it knocked. Ordinary house. Ordinary sounds. She made herself name each one.

    Upstairs, somebody walked across the hall.

    Small steps. Heel first, the way kids walk when they’re not being careful. From the landing toward the bathroom, four or five of them, over the loose board outside Sam’s room that she had been asking about since they moved in.

    The sound stopped above her head.

    Dana did not move.

    On the rug, three feet in front of her, Sam unwrapped a Smartie and said, “That’s not me.”

    Part 3 next Sunday on this Page and Facebook. Free Preview of THE OVERLOOK WIFE

  • Four Minutes

    Four Minutes

    Michele Joslin

    The voicemail hit at 4:12 a.m.

    Blocked number. Lock-screen glow on the ceiling. Tess told herself it was a robocall — forty seconds of a call center breathing — and played it, anyway.

    “Hey. Sorry. Did you lock the back door?”

    Her voice. The pause after sorry. The upward hitch she hated on recordings.

    “I think I left it open. Can you check?”

    Under the words, a low hum, stuttering every few seconds. The kitchen refrigerator had done that since June.

    Four minutes. The dark took all of them.

    She took the stairs without lights. Four-in-the-morning cold. At the bottom, she stopped and listened. The fridge hummed. Caught. Hummed.

    Mudroom. Glass panel. Gray yard. Hand on the knob, then the deadbolt.

    Horizontal. Open.

    Front, back, slider. Same order every night. Alone meant that order. The bolt went home too loud.

    Locking it only mattered if whoever it was was still outside.

    Phone flashlight low. Thumb on emergency call.

    Living room: laptop closed, cord over the couch arm. Dining room: mail still fanned on the table. Office: camera on the shelf. Bedroom: wallet, keys, her mother’s ring in the dish.

    Nothing taken. No gap. She kept waiting for the hole where something should have been. It never came. That was worse. Someone had come in and wanted none of it.

    Coat closet last. The unused one by the front door.

    She opened it fast.

    Coats.

    She pushed them apart for the back wall. Palm flat on the long gray wool. Stopped.

    Warm. Not room-warm. Body-warm, leaving the fabric while she stood there, the way a chair is warm when someone has just stood up.

    She shut the door. Backed into the hall. Turned a slow circle.

    Empty. Every room she had already walked was empty.

    Callback before anyone else. Blocked number. Three menus. Thumb missed twice.

    Connect.

    No ring. Open line. The dead air of a call that has gone somewhere.

    “Hello.”

    Nothing.

    “I know you’re there.”

    Not silence. Silence is flat. This had a shape: air, the press of a room holding still.

    Her hands were not steady when she hung up.

    She played it from the top. The first thirty seconds were all she had heard. Three and a half minutes had been sitting there the whole time she walked the house in the dark.

    Door. Hum. Catch.

    Then two minutes of a room with a refrigerator in it. Her kitchen. Nobody speaking.

    At 3:42 her voice came back.

    “Helen.”

    Soft. The way you say a name to someone asleep in the next room. She had never known a Helen. Not a neighbor. Not a teacher. Not a woman on any list she had ever been on.

    Her mouth. That name.

    Then the click.

    Not a dropped call. A handset set down on a hard surface, close to the mic — that small plastic knock — and under it half a breath of a room with someone in it.

    The message ended.

    She looked at the ceiling, at the floor above her, and did not go up.

    Keys only. Front door pulled to and left unlocked. Locking it meant standing with her back to the glass.

    Four bricks. Driveway. Black sky. Dew milky on the windshield.

    Halfway down, she looked back.

    The kitchen window over the sink was a pale rectangle of interior dark. A shape crossed it.

    Not a curtain. Not a tree on the glass. Someone walking a room they knew. Unhurried. Not going anywhere in particular.

    It did not stop. It did not look out.

    She did not run. Running is a sound. Getting to the car took a year. The lock button under her thumb was the best noise of her life. All four at once.

    Phone in the cradle. Both hands.

    Blocked. 4:12 a.m.

    Length: 3:50.

    It had been four minutes. She had watched the bar crawl. Helen at 3:42. The click. The room after that.

    She pressed play.

    The door. The hum. The catch. Two long minutes of her kitchen with nobody in it.

    “Helen.”

    The handset going down on something hard.

    3:50. Nothing after.

    The screen went back to the list. One message. Blocked. 3:50.

    Inside, past the pale rectangle, the fridge would still be catching and humming and catching, the way it had since June, into a room she was no longer standing in.

    She reversed with the headlights off.

    At the end of the street, she turned them on and drove.

    Need more than four minutes?

    *The Overlook Wife* — Michele Joslin

  • The Overlook Wife – Free  Review & Reviewer Copies

    The Overlook Wife – Free Review & Reviewer Copies

    Some marriages are better left unseen.

    That line sits at the center of The Overlook Wife, my debut psychological thriller under the MLJ Mysteries imprint. The novel follows Rena, a woman who drives a thousand miles to disappear, only to find that the quiet Adirondack town and the man she begins to trust may be far more dangerous than the life she left behind.

    The book launches September 15, 2026.

    Read the Opening Chapter

    You can read the first two chapter free here:

    Preview The Overlook Wife

    Reviewer & Early Reader Copies

    I am currently providing advance digital copies to established reviewers, book bloggers, and serious readers of psychological thrillers who are interested in leaving an honest review on Amazon.

    If that describes you, you are welcome to request a copy through BookSirens:

    Request a Reviewer Copy

    Looking Ahead

    The Overlook Wife is the first title from MLJ Mysteries. Additional projects are already in development. This blog will continue to share updates, sample chapters, and publication news as new books approach.

    Thank you for your interest.

    Michele Joslin
    MLJ Mysteries

    Pre-order
    Paperback: Amazon
    Kindle: Amazon

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